Laowa announces the launch of four wide-angle cine lenses: the 9mm T5.8 VV Cine, 10mm T2.9 Zero-D VV Cine, 12mm T2.9 Lite Zero-D VV Cine, and 14mm T2.6 Zero-D VV Cine.

The new Laowa 9mm T5.8 is the widest rectilinear full-frame lens in the cinematography market, highlighting an impressive 134.8° angle of view (AoV), while the 10mm T2.9 is the widest rectilinear full-frame lens with “Zero-Distortion” feature, offering a 130.3° AoV. 

 

All four lenses are designed to cover Vista Vision camera sensors, supporting a larger array of usable cameras for cinematic productions.

Key Features:

  1. Vista Vision Coverage
  2. Ultra-Wide Rectilinear Perspective
  3. Compact and Lightweight Design
  4. “Zero-Distortion” (*10mm, 12mm, 14mm)
  5. Close Focusing Capability 
  6. Outstanding Image Quality
  7. Front Filter Thread Compatibility
  8. Multiple Mount Options

 

Full-Frame & Vista Vision Coverage

Featuring a Ø46.31mm image circle for the 9mm T5.8, 10mm T2.9, and 12mm T2.9 lenses, and a Ø46.5mm image circle for the 14mm T2.6, these lenses are fully compatible with larger-format cameras like the Red Raptor 8K VV (Ø46.31mm) and Alexa LF Open Gate (Ø44.71mm).


Ultra-Wide Rectilinear Perspective

© Josh Herum, Daniel Cunningham & Your Filmmaker – 9mm T5.8 VV Cine

The 9mm T5.8 and 10mm T2.9 stand as the widest rectilinear non-fisheye full-frame lenses in the cinematography market. With angles of view of 134.8° and 130.3° respectively, these lenses enable filmmakers to capture dynamic shots that were once impossible, particularly in tight or enclosed spaces. The 12mm T2.9 and 14mm T2.6 further extend the wide-angle line up with AOVs of 122° and 117.8°, providing ultra-wide perspectives to suit diverse shooting scenarios.

The ultra-wide design not only enhances the sense of space and depth but also creates dramatic, immersive visuals. Whether shooting expansive landscapes, confined interiors, or dynamic action sequences, these lenses empower filmmakers to achieve striking, exaggerated perspectives that elevate storytelling and visual impact.

Distortion is a common challenge with wide-angle lenses, but Laowa stands apart with its signature “Zero-Distortion” design. All four new wide-angle cine lenses render low-distortion images, with the 10mm, 12mm, and 14mm models achieving near-to-zero distortion. This innovative design eliminates the issues cinematographers often face when shooting architecture, interiors, or scenes with straight lines, ensuring accurate framing straight out of the camera— no post-production correction required.

Weighing just 520–640g (1.15–1.41 lbs), these lenses are exceptionally lightweight and versatile, making them ideal for a wide range of shooting setups, including gimbals, drones, handheld rigs, and other stabilizing equipment. Their compact design ensures seamless integration and effortless maneuverability, perfect for on-the-go filmmaking. Whether capturing dynamic shots or smooth camera movements, even in challenging environments, these lenses excel. Additionally, their smaller form factor provides greater flexibility in confined spaces, making them a practical and powerful tool for producing creative, high-quality footage in any scenario.

Laowa Cine Nikon Z Mount Offerings 

Apart from the new expanded wide-angle cine lens lineup, Laowa also offers a wide range of cine lenses in Nikon Z mount (including the anamorphic and zoom lens series) which can be used on the latest RED camera Z mount offer.  

  • Sword FF Macro Cine Series
  • Proteus 2X Anamorphic Zoom Lens Series
  • Nanomorph 1.5X Anamorphic Prime & Zoom Series 
  • Ranger FF & S35 Compact Cine Zoom Series
  • Laowa Argus T1 Cine Series
  • Laowa 24mm T8 2X Macro Pro2be
  • Laowa 7.5mm T2.9 Zero-D S35 Cine
  • Laowa 65mm T2.9 2X Macro APO Cine
  • Laowa 15mm T2.1 Zero-D Cine

For more information about the Z mount options, please email da****@*****mf.com

 

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